Category Archives: Technology
Microsoft Fellowships in Law, Economics, and TechnologyThe University of Michigan Law School’s Center for Law and Economics is offering several post-graduate Fellowships in Law, Economics, and Technology. The Fellowships support research by individuals who finished graduate school (or are about to finish) and are writing on topics in the intersection between law, economics, and technology. Individuals who practiced in these areas and are interested in returning to academia are also encouraged to apply. The purpose of the fellowships is to foster research and interest in areas of Intellectual Property, Telecommunications, Internet and Cyberlaw, Health Care Law and Policy, and other areas related to information and technology, with emphasis on economics and empiricism as the disciplines of inquiry. The Fellows are expected to devote their time to their proposed course of research, to be in residence at the Law School in Ann Arbor, and to participate in the Law School’s law-and-economics activities. Fellowships are either for one or two semesters. Deadline for Application Submission: February 1, 2009.
Yesterday afternoon I was the guest on The Law Librarian, hosted by Richard Leiter and Brian Striman. Rich is Director of the Schmid Law Library and Professor of Law, University of Nebraska-Lincoln College of Law. Brian is Professor of Law Library, Head of Technical Services, and Catalog Librarian at Schmid Law Library. This was the second installment of their occasional call-in Internet talk show. We talked about Web 2.0 tools and gadgets, social networking, and the upcoming AALL annual meeting. Give it a listen, and be sure to listen again for the next episode.
Law schools traditionally utilized video for the instructional needs of students in such courses as trial advocacy and depositions. However, a near two decade migration of video technology from an analog format to a digital technology has had profound impact on the way educators and professionals think about video services. No longer just a recording service, law media departments have transformed into a serious production operation offering more creative ways to generate and use video content in legal education and other related applications. With the arrival of affordable production, postproduction and distribution technologies there also comes the corresponding opportunity for the production of a quality product beyond the mediocre recordings of the past. The result is the expansion of services into new areas that include support of legal documentary filmmaking classes, interactive teaching with video technology, distance education, law school marketing and conference and event coverage. This has inevitably resulted in the need for better trained personnel with the necessary skills for scripting, producing and editing materials for law school applications. It has also resulted in practical analyses of how the service is used, and how best to make cost effective use of it in the near future.
This presentation will cover the practical aspects of setting up and maintaining a law school video operation with special attention given to technique and the use of affordable technologies to create a quality project. Part of the discussion will include methods of video distribution, such as via streaming or recorded physical format, along with the criteria for selection. In addition, mention will be made of the challenges of managing service growth within the reality of dwindling budgetary resources.
Examples of productions will be integrated into the program.
Associate for Insructional Production Support
soteriou at buffalo dot edu
Nefeli Soteriou is our wonderful video production professional at UB Law. We created the position and hired Nefeli in response to growing demand for high-end video production both for instruction and law school promotion.
Nefeli was trained in film and digital arts. First thing: know your audience. As this is her first CALI conference, she doesn’t know her audience yet 🙂 So she decided to hide behind her camera and interview some of her colleagues at UB Law.
Mobile production setup: video camera with monopod, wireless mic.
Demo: A variety of applications of video at UB Law.
Clip: Joe Gerken (now UB Law Reference Librarian, in 1986 a clinical professor) did a mock video of a complete criminal trial. Law students played the roles in the video. Played the video back in class, students were expected to make evidentiary objections, with Joe as the judge. Used the video for three semesters.
Clips: 2008 clips of Mediation and Trial Technique. Now we collaborate with theater students.
Clip: Law Librarian/spokesmodel Karen Spencer: orientation to research in the Law Library.
Clip: UB Law Clinical Programs (still photos with voiceover).
Production method: Lightweight, mobile equipment that can be operated by one skilled operator.
More high-end production: Professor Teri Miller’s documentary project, Encountering Attica.
Debate about consumer-type vs. professional-quality videocameras. Nefeli likes high-end cameras.
Speaker Wayne Miller, Director of Educational Technologies, Duke University School of Law
This series of documentary videos provides a unique view on key constitutional cases in recent American legal history. In each case, participants are interviewed and profiled; locations and actual documents are shown; and a rich, coherent narrative brings you up to the point of the supreme court decision. In this session, we explore how this project was begun and how it has developed; what resources are necessary; and how we are making it available to the law school community.
Project begun in 2002
Series of documentaries on important legal cases. Go beyond written legal opinions to show context and impact. Show factual and legal context, don’t try to explain the law in detail. Show how legal decisions have important effects on ordinary people.
Speaker: Alex Anderson, Video Production Specialist, Duke University School of Law
Professor selects cases to cover. Two student researchers compile info for review. Make initial contacts, acquire permissions, make travel arrangements. Try to schedule three interview in a day.
2-4 individuals: Professor, videographer/producer, 2 student associates.
Camera: Canon XL-1. Lowe light kits, light stands, tripods, monitor, extension cords, tapes, lavalier mics, gaffer tape, etc.
Lighting setup: fill light above camera, key light 45 degrees from camera, back light almost directly behind subject behind camera frame.
Video recording: producer asks questions. Be sure to get written permissions.
Later, shoot B-roll footage (context, neighborhood, etc.)
Post production: review, import, create rough cut, finishing touches. Narration etc.
How is it all funded? “Different sources of money over the years. Initial funding was a private endowment.”
Showed examples of rough cut and final edit.
See http://voicesofamericanlaw.org. Videos are on sale on DVD.
Speaker: Richard Mixter, Director, Digital Product Development, Aspen Publishers
Videos appeal to students who grew up in rich media environment. Aspen saw an opportunity to partner with Duke. Duke hosts the site and sells the DVDs; Aspen publishes associated teachers’ materials.
Narrator: professional voice actor for NPR.
Currently no plans to expand beyond constitutional law cases.
Copyright issues as you expand from educational to for-profit applications? There have been some at the beginning; the music is license, and we’re very careful now to avoid permissions issues.